Why People Love Painting

By Rajneesh Dubey

People are in love with painting since they came to life millions of years ago. Having fulfilled their essential requirements they looked up to some recreational activities. Beautiful cave paintings of prehistoric times like those of Lascaux, Le Marche and Chauvet Cave and Bhimbetka bear the testimony of the fact. It might have started from drawing something on the soil with their fingers because a good diagram on the soil helps you to become an accomplished artist.

A colorful object attracts everyone. Colors give the fancy of the person a new world. When someone holds a paint brush, he thinks that whole cosmos can be again drawn through his fingers. Seas, skies, mountains, valleys, gorges, people, animals etc, can all be drawn with immaculate details just on a sheet of paper. Moreover, to color the figure concerned the pigments could be sourced from various things like minerals, vegetables, synthetic materials and other naturally occurring objects.

A cherished memory could well be preserved through a painting. Thus paintings can be made out of imagination as well as of the real thing or the real incident. Painting world is so diverse that a budding artist can choose his style and affiliation to a particular style and then decide to go ahead with. He can specialize in the painting on the basis of medium like water color, oil color, pastel color, fusion etc. Similarly an apprentice can choose to make specifically landscapes, seascapes, skyscapes, waterscapes or the fusion of them.

The most interesting part of painting is its commercial aspect. If an artist can carve out for himself a niche, then finance will never be a constraint for him or her. If he works hard in innovation, creativity, consistency and patience, his work can give him everything. Thus, a hobby can be a stabling factor in life. All painting greats had started their journey by just drawing a diagram on surface through their finger. Come and join the league if your fingers are itching to do something.

Rajneesh Dubey is Content Coordinator for http://ethnicpaintings.com This website gives you comprehensive informations on painting history, development, trends, popular painting styles, great painters, famous paintings, painting galleries and museums, painting tips, painting classes. In other words, this website is a treat to painting freaks.

To learn tips on how to learn painting please visit Ethnic Paintings

Halloween Face Painting Ideas

By Timothy Croy

With Halloween just around the corner it’s time to start planning for costumes and makeup. Halloween is the perfect holiday for face painting. A good costume doesn’t end with just the clothes and accessories. A painted face can make a true statement and define your look.
Especially now that Halloween masks are prohibited at most all school functions, dances, and parties, face painting is a more comfortable, inexpensive way to finish your ensemble. There are minimal tools needed to get started and the quality of face paints have come along way for a safe, comfortable and long lasting wear.

The basic tools are face paints, 3 to 4 brushes and some sponges. From a ghost, butterfly, clown, vampire, or pumpkin there are plenty of Halloween Face Painting Ideas and that can give you step by step directions on how to paint on a disguise. Once you have decided what you are going to be for Halloween there will be plenty of ideas for a unique look. There are plain colored face paints, ones that contain glitter for a sparkle effect, and some have pearlescent effects added to them or even some ultra-violet light reflecting paints. You may also choose to add embellishment like stick on gemstones for an extra special sparkle design, a piece of painted puffed rice for a wart, or even temporary tattoos.

The options are limitless. I suggest starting with a basic concept, having a drawn out example or sketch and then use your imagination and creativity to make it your own. There are also face stencils if you don’t have a knack for drawing. There are many different techniques for blending, shading, feathering and many more. So I suggest starting with an easy how-to guide and in no time you will be a pro. Make this Halloween memorable and paint away.

Tim Croy is an expert when it comes to simple designs for face painting!

Read more about simple face painting designs at: Face Painting Ideas

"Flowers & Branches Hang Over the Cliff" A Painting by Artist Thandrai Sunitha

By Don Alexander

The Museum of History and Art in Ontario, operated by the City of Ontario, California, served as the site where I was unknowingly about to meet and interview one of the artists whose paintings adorned it's walls! But first, a word or two about the tone of the Ontario Museum...

The Ontario Museum actually served as the city's second City Hall from 1937 to 1979. Upon entering the building one can just feel of the texture of the walls, which feel as hard as rock. and leaning against them tells a story about the quality of the architecture of the time.

Down the right corridor as you enter the museum is a variety of rooms displaying lots of pieces of art in a wide-variety of mediums. A certain piece struck my fancy that was entitled: "Flowers and Branches Hang over the Cliff' by artist Thandrai Sunitha.

The piece was painted with watercolor on rice paper. It was a branch of flowers in a stem falling over a cliff, a most beautiful piece. The attention to detail was outstanding. The flowers had soft pink pedals with black charcoal color for the stem and leaf. The rice paper had been crumpled just so tenderly for effect.

What happened next is nothing short of wonderful. Suddenly, a rather beautiful dark-complected woman, possibly of Indian decent, came by with her husband and two children. She asked me to take a picture of the piece with her husband and little son and daughter.

I agreed and she soon explained that she was the artist of the piece: Thandrai Sunitha. Thandrai went on to explain that the piece had won a state art competition in Ohio and had been prominently displayed in that state's museum. She then went on to explain that this piece was her third attempt at perfection to the piece and she was very proud of it.

Thandrai then explained that each stroke had to be purposeful and perfect, and that she was very proud of herself for the perfection attained on the third attempt. Thandrai said the entire painting took her only twenty minutes to complete with no mistakes.

Mrs. Sunitha then went on to explain how this work was completed with fine tip brushes, not wide, and that each stroke had to be purposeful and essentially the same. She smiled frequently as she expressed her pleasure with the piece. She also informed me of the possibility of her making art more of a full time effort, and she said that she was basically just "having fun" with this one.

Her mind was more on her strokes than on how the picture was coming out, and yet she said when she was finished that she was delighted at how it had come out.

Mrs. Sunitha had a lot of joy in her person, and she expressed great delight in her work. She also listened very well as I asked her about the making of the work and she reminded me often that the piece was very methodical and mechanical at heart, but I knew better. . . it was also beautiful because of the soft movement of the hand of Thandrai Sunitha.

The first element I noticed about the painting was the value. Upon squinting my eyes the darkest value came in the stems and leaves, which were drawn in black. Also around the top and bottom of the piece the more crumpled part of the rice paper was very shadowy as well. The lightest value came in the un-crumpled rice paper and in the white and pink strokes of the leaves.

The leaves were drawn straight but also had a nice texture to them, making them seem more flowing to the eye. The second visual element was focus: the stem and black parts were very focused and defined. The flower petals seemed to crawl around the paper more. The flower itself came out from the cliff, making it more focused.

The cliff, however, was a key part of the piece and the space between the flower and the cliff just connected the two, but left enough space to distinguish them as well. The fact that the flower and cliff were both drawn on the left, made you think that the space to the right of the cliff could be almost bottomless, giving the painting both a beautiful and strong tone.

There were a lot of straight lines in the painting, but the flowers utilized a lot of curvy ones as well. The straight lines of the leaves were awesome. Thandrai Sunitha put those straight lines around the circular pistil of the flower for visual effect. The thick black lines of the stem really made the pink flowers stand out.

Thandrai Sunitha uses tiny black dots to simulate texture on the flowers, which is altogether effective as well. The black and pink colors work together wonderfully. It's the kind of piece any home would be proud to adorn. The texture of the rice paper really made the colors stand out boldly.

My first reaction to the piece was: "Wow, how pretty." I couldn't help but stop and adore it's subtle beauty. After describing the piece I feel as though it is simple beauty but drawn to perfection with purposeful strokes.

Thandrai Sunitha demonstrated the brush stroke for me, which was about a six-inch stroke like the bottom part of a circle, that she said she did "over and over again."

I really believe after meeting Thandrai that this painting may indeed be a reflection of her beauty. After meeting her and listening to her, she is nothing short of beautiful, and if you're ever in the metropolitan Los Angeles area, please be sure and look up her studio, it'll be more than worth your while.

Don Alexander is a writer and published poet and has two online missions: Sharing his writing and also helping "all to succeed" in online business. Don feels that online home business is the financial answer for the average American today. http://www.leading-online-business.com "Helping ALL to Succeed"